Champions of new opera
Jessica Kiger (BM '06) and Nathan Brandwein (BM '02) live in New York City and are on the front lines of the effort to make sure opera remains an important part of the cultural conversation.
When College of Music alumni Jessica Kiger (BM 06) and Nathan Brandwein (BM 02) graduatedwith vocal performance and piano performance degrees, respectivelythey didnt picture themselves off stage and behind the scenes. But one grad school job and a nod from a Juilliard professor later, theyre working at one of the premiere opera venues in the world.
Kiger and Brandwein freelance for the Metropolitan Operas broadcasts. Along with a team of videographers, editors, directors and producers, they bring world-class opera to movie theaters around the world. Indeed, theyre on a mission to keep opera fresh and relevant. The only way the art form survives is if we are entertaining and educating worldwide audiences about whats going on at the highest level of achievement, says Brandwein.
Among the few production staffers at Live in HD泭with an extensive background in music, Brandwein and Kiger are integral to each performance. Brandwein is a score consultant for the live broadcasts and audio edit supervisor during post-production. As a production associate, Kiger prepares musical scores for HD directors, and works as a script and score reader. For me, its taking the text and making it musical in my head, says Kiger. Sometimes you have to go off script, and its important for the script reader to be able to follow along, so the associate director knows whats next.
Brandwein, who earned a doctorate in collaborative piano at Juilliard, says the success of Live in HD泭泭in its 10th season across 70 countries泭泭is due to the talent and dedication of the crew. Its a testament to this vision for opera. What you see is the tip of the iceberg in terms of the work that goes into the broadcast. Everybody泭泭production assistants, camera operators, directors泭泭is the best in the world at what they do.
Meanwhile, in addition to her work with the Met, Kiger is also leading the charge in New Yorks new opera scene. In 2012, she became executive director and producer of泭, which takes opera on the road, performing pieces in locations that give them new context. For example, the critically acclaimed company has produced Giovanni Paisiellos The Barber of Seville in an Upper East Side mansion and Jean-Philippe Rameaus Pygmalion泭at Madame Tussauds New York. Were making a case for intimate, immersive opera. More and more, I think thats where the art form is going, she says.
Brandwein continues to teach piano and perform in New York and abroad. He says he owes his education at CU for his success as a pianist ... and at the Met. I studied a lot of theory, which is important in my careerespecially when Im working with directors at the Met. I can make sure they understand the music and how its constructed, and that foundation was laid at CU. Ill always be grateful for that.
Kiger says she would never have ended up pursuing this path if it hadnt been for the support of CU faculty. My teacher, Maggie Lattimore, told me she would support me and she believed in my talents no matter how I used them. That was really encouraging.
Kigers next project is as a Project Manager with VisionIntoArt, the multimedia production company run by visionary composer Paola Prestini. Kiger continues to evolve with the opera world itself. Its been exciting to do a lot of different things, to challenge myself in different ways and see what sticks.
Read more stories like this in the online edition of Colorado Music magazine.